Nothing too hard. Light strokes, just a contour. It usually serves as a guide. But as soon as you start it, you create shapes, mass, volume, depth, silhouettes. The contour of your drawing is the foundation of your final work but. Some artists like leaving it as is. Some outlines and sketches are just beautiful the way they are. But in writing, you want to add light, shadows, colors, scents…. So you start painting it. And there are more painting techniques than outlining ones. This is more usual than you think.
Yet you know where your brushes should go if you lose yourself in the trip of a coloring layer process. Gaffan, D. A spurious category-specific visual agnosia for living things in normal human and nonhuman primates. Journal of Cognitive Neuroscience , 5 , — Gainotti, G. Cognitive and anatomical locus of lesion in a patient with a category-specific semantic impairment for living beings. Cognitive Neuropsychology , 13 , — Hart, J. Category-specific naming deficit following cerebral infarction.
Nature , , — Neural subsystems for object knowledge. Nature , , 60— Hayward, W. Effects of outline shape in object recognition. Testing conditions for viewpoint invariance in object recognition.
Vision Research , 40 , — Recognizing silhouettes and shaded images across depth rotation. Perception , 28 , — Hillis, A. Category-specific naming and comprehension impairment: A double dissociation. Brain , , — Hoffman, D. Salience of visual parts. Cognition , 63 , 29— Hughes, H.
Global precedence, spatial frequency channels, and the statistics of natural images. Journal of Cognitive Neuroscience , 8 , — Hummel, J. Dynamic binding in a neural network for shape recognition. Psychological Review , 99 , — Humphreys, G. Semantic interference effects on naming using a postcue procedure: Tapping the links between semantics and phonology with pictures and words. Cascade processes in picture identification. Cognitive Neuropsychology , 5 , 67— Kimchi, R. Psychological Bulletin , , 24— Kroll, J.
Recognizing words, pictures, and concepts: A comparison of lexical, object, and reality decisions. Lambon-Ralph, M. Are living and nonliving category-specific deficits causally linked to impaired perceptual or associative knowledge? Evidence from a category-specific double dissociation. Neurocase , 4 , — Laws, K. Neuropsychologia , 37 , — Lloyd-Jones, T. Categorizing chairs and naming pears: Category differences in object processing as a function of task and priming.
Perceptual differentiation as a source of category effects in object processing: Evidence from naming and object decision. Luckhurst, L. A selective deficit for living things after temporal lobectomy for relief of epileptic seizures. Lupker, S. The semantic nature of response competition in the picture-word interference task.
Picture naming: An investigation of the nature of categorical priming. Monsell, S. Repetition and the lexicon. Ellis Ed. London: Erlbaum. Google Scholar. Navon, D. Forest before trees: The precedence of global features in visual perception. Cognitive Psychology , 9 , — Richards, W. Koenderink, J. Inferring three-dimensional shapes from two-dimensional silhouettes. Journal of the Optical Society of America A , 4 , — Riddoch, M. Visual object processing in optic aphasia: A case of semantic access agnosia.
Cognitive Neuropsychology , 4 , — Sacchett, C. Calling a squirrel a squirrel, but a canoe a wigwam: A category-specific deficit for artefactual objects and body parts. Cognitive Neuropsychology , 9 , 73— Saffran, E. Of cabbages and things: Semantic memory from a neuropsychological point of view—A tutorial review.
Moscovitch Eds. Samson, D. Impaired knowledge and non-visual attributes in a patient with a semantic impairment for living entities: A case of true category-specific deficit. Sanocki, T. Specifically, contour applies to lines contour lines in a map contour map that indicate the details of elevation of a country or tract of land. Profile applies primarily to the representation or the appearance of something in outline, especially of a face in side view showing the contour of the head and emphasizing the line from forehead to under the chin.
Consequently, profile is often preferred when a varied and sharply defined outline as seen against a background is implied, although skyline may be chosen as more specific when the background is the sky.
0コメント